Stamped Celadon Folk Ware Bowl Qing
Dynasty (1850 - 1908)
• This bowl is characteristic of an antique
Southern Chinese provincial minyao (folk
kiln) celadon plate/bowl, from the Qing
Dynasty (1644-1912).
• I believe the time period would be the
4th quarter of the Qing dynasty, and the
type of iron oxide stamps were used
during the the reign of the following:
- Emperor Xianfeng (F #): Reign 1850-1861
- Emperor Tongzhi (a]*a): Reign 1862-1874
- Emperor Guangxu (**#): Reign 1875-1908
• The very
&#34;groggy or gritty&#34; clay used in
this bowl comes from the coastal regions
of Southern China, around Fujian, and
the Zhangzhou/Minnan kilns) and
Guangdong provinces.
• The images on the bowl are stamped
using a dense underglaze iron-oxide
pigment. This abstracted &#34;Shou&#34; (# /
5) character, meaning Longevity.
• This was fired in a
&#34;dragon kiln&#34;, a 30 to
100 metre hillside kiln fulled by wood.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 4 cm. x 6.8 cm. x 6.8 cm.
Dimensions:
 4 cm. x 6.8 cm. x 6.8 cm.
Pickup category timeslot {A}

Stamped Celadon Folk Ware Bowl Qing Dynasty (1850 - 1908)

Cristallo Venezia CC &#34;Uranium
Glass&#34; Murano Sommerso Large-
Scale Centrepiece Bowl
• The exaggerated, horizontally stretched
winged silhouette with curled-horn
handles is a hallmark design strictly tied
to their 1960&#39;s production era. As well, all
Murano factories phased out the use of
uranium oxide powder in their standard
production runs as of 1970.
• This piece does not have a label, but
Can be attributed to Cristallo Venezia
CC for the following reasons:
1) There are identical green-and-amber
Sommerso core bowls with the
outspread silhouette, and the scrolled
horn handles that exist in collector
databases and archive sites like 20th
Century Glass
2) Cristallo Venezia pieces feature a
highly recognizable, heavy multi-pointed
star-shaped or pedestal glass base.
3) The tightly curled, horn-like scroll handles
are a specific design trademark of this
workshop.
4) Your UV light test confirmed a uranium-
doped green glass layer wrapped sharply
alongside a non-reactive amber layer, all
encased in a thick crystal shell. This
complex, multi-layered chemical recipe
aligns exactly with the batch formulas used
by Cristallo Venezia during their prime
1950&#39;s-1960&#39;s.
• This piece is is classified as a Large-
Scale Centerpiece Bowl, because of the
weight and size, and were treated as
premium luxury investments when
bought new in the 1960&#39;s
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 5 lb. 2.5 oz. or 2 kg. 339 grams
• 12 cm. x 40 cm. x 20 cm.
Dimensions:
 12 cm. x 40 cm. x 20 cm.
Pickup category timeslot {A}

Cristallo Venezia CC &#34;Uranium Glass&#34; Murano Sommerso Large- Scale Centrepiece Bowl

Jim Yelton Squamish Nation - Killer
Whale Talking Stick 2010 Olympic
Games
• Jim, now age 71, was born on July 9,
1955, in Squamish, British Columbia. He
has carved for more than 50 years, and is
known internationally for his deep,
expressive formline carving and fine
attention to cultural detail.
• At 12, Jim was mentored by his father
Michael Yelton, a revered traditional
carver who taught the techniques, but
also the story, spiritual and cultural
importance behind Northwest Coast First
Nations images.
• This piece is not signed in the
traditional sense with a name, but rather
in form style. The &#34;U&#34; at the back od the
whale&#39;s tail is Jim&#39;s mark.
• Originally there would have been an
official certificate, but this has been lost
at some point.
• For the Squamish Nation, the Killer
Whale (Orca) is a symbol of great
strength, bravery, family, and unity.
• There is no record of how many of
these were ordered or made, but each is
slightly different for the other, because
they are hand carved individually.
• In excellent condition, no breaks,
cracks or chips. View images.
• Talking Stick:
14 cm. x 3.5 cm. x 4 cm.
• Cedar Box:
6.5 cm. x 27.5 cm. x 8.5 cm.
Dimensions:
• Talking Stick: 14 cm. x 3.5 cm. x 4 cm.       Cedar Box: 6.5 cm. x 27.5 cm. x 8.5 cm.
Pickup category timeslot {A}

Jim Yelton Squamish Nation - Killer Whale Talking Stick 2010 Olympic Games

Cristina Romo Castillo - Bowl w/ spoon &
Covered Dish
Civese piece were designed and produced
by Cristina Romo Castillo Disne has a studio in 
Taxco, Mexico, following the silversmithing legacy of her
mother (Emilia Castillo) and grandfather
Antonio Castillo of Los Castillo.
Website:
https://www.craftinamerica.org/artist/
cristina-romo/
Stamped Marks:
&#34;CRISTINA&#34; is the maker/brand name.
&#34;MEXICO&#34; made in or around the town of
Taxco, Mexico. &#34;PLATEADO&#34; Spanish for silver plated.
Hallmarks:
• MEXICO M.R: Stands for Marca Registrada
(Registered Trademark), an officially
protected design under Mexican commerce
laws.
• TO-35: Mexican government registration code
instituted in 1979 to track silversmiths
and workshops:
• T stands for the city of origin, Taxco.
• O signifies the first letter of the artisan or
registered workshop&#39;s family name tied to
the family registry.
• 35 is the unique identification number
assigned specifically to that maker&#39;s
registered line.
• All these pieces are individually hand-
shaped and hand-textured, and thus unique.
All the texture on the inside of these pieces
are hand &#34;planished&#34; or &#34;chased&#34; with
silversmithing tools.
• The base metal under the silver plate of
these pieces is solid brass.
• All in excellent condition, no breaks,
or chips. View images
• Bowl: 7 cm.. x 24.5 cm. x 7 cm.
• Spoon: 2 cm.. x 17 cm. x 2.5 cm.
• Lidded Bowl: 5.5 cm... x 21 cm. x 7.5 cm.
Dimensions:
• Bowl: 7 cm.. x 24.5 cm. x 7 cm. • Spoon: 2 cm.. x 17 cm. x 2.5 cm. • Lidded Bowl: 5.5 cm... x 21 cm. x 7.5 cm.
Pickup category timeslot {A}

Cristina Romo Castillo - Bowl w/ spoon &#38; Covered Dish

Vintage Hand Thrown & Decorated
Japanese Stoneware Tea Set
• This tea set is decorated with
whimsical, hand-painted blue rabbits and
carrots in a traditional folk-art or Mingei style.
• The rustic, speckled glaze and earth-
toned rims are fired in a wood fired kiln.
• Characters on the base read as follows:
Top Character: # (Hiro)
Middle Character: « (Naga / Ei)
Bottom Component: 1F (Saku / made by
Kitaoji Rosanjin or one of his workers
from the kiln.
Reading the name together as Ex
(Hironaga) or E*IF (Made by Hironaga)
aligns with the highly celebrated
Hironaga Kiln (I ** / Hironaga-gama).
• The Hironaga Kiln I R) is located in
the Kansai region of Tsu City, Mie
Prefecture, Japan.
• These are all hand thrown, so the cups
and plates vary slightly in size.
• All in excellent condition, no breaks,
cracks or chips. View images.
• Teapot: 7.5 cm. x 13 cm. x 9.5 cm.
Bowl: 4 cm.  9 cm.  9 cm.
Plates: 1.5 cm.  11 cm. x 11 cm.
• Cups: 6.5 cm. x 5.5 cm. x 5.5 cm.
Dimensions:
See description for sizes and correct Japanese characters.
Pickup category timeslot {A}

Vintage Hand Thrown &#38; Decorated Japanese Stoneware Tea Set

Robin Hopper - Leaf Teapot
• Robin Hopper (1939-2017). Robin was
born in Selsdon, Surrey, England, in
1939. He received his training in pottery
and ceramics at the Croydon College of
Art from 1956 to 1961.
• Robin was the founder and chair of the
Ceramics and Glass Dept. at Georgian
College in Barrie, Ont. from (1970-1972).
• In 1977, Hopper with his first wife Sue
Hopper, nee Hara. established and ran
&#39;Chosin Pottery.
• The Impressed Lettering &#34;ROBIN
HOPPER / CANADA&#34; was used starting
in 1977 stopped the double marks by the
beginning of 1990.
• The teapot is one of Hopper&#39;s signature
styles with the &#34;Mustard-Yellow Glaze&#34;
on a light greyish stoneware clay body
with a light dusting of iron oxide. Robin
used a wax resist technique to create the
leaf designs using various oxides and
glaze combinations.
• In very good condition, no cracks, or
breaks, but there are very minor chips on
the spout. View Images.
• Without Handle:
11.5 cm. x 18.5 cm. x 14.5 cm.
• With Handle:
23.5 cm. x 18.5 cm. x 14.5 cm.
Dimensions:
Without Handle: 11.5 cm. x 18.5 cm. x 14.5 cm.           With Handle: 23.5 cm. x 18.5 cm. x 14.5 cm.
Pickup category timeslot {A}

Robin Hopper - Leaf Teapot

Ollomisso - Inuit Argillite Carving of a
Loon Dated 1995
• I have not been able to pinpoint the
specific Inuit community this artist comes
from, as the phonetically spelled out
spoken Inuktitut names, spelling
variations are incredibly common.
• The style of the piece suggests either
Sanikiluag located on the Belcher Islands
in Nunavut, or the family name from the
Hudson Bay region, such as Ooloosie.
• The stone from this piece shows a dry,
uniform, dense clay-based grain
structure that is highly classic of
Sanikiluag argillite.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 3 oz. or 86 grams
• 3 cm. x 6.5 cm. x 4 cm.
Dimensions:
 3 cm. x 6.5 cm. x 4 cm.
Pickup category timeslot {A}

Ollomisso - Inuit Argillite Carving of a Loon Dated 1995

Corrine Hunt - BOMA - &#34;Sea to Sky
Collection&#34; Large Platter
• This was designed by acclaimed
Kwakwaka&#39; wakw and Tlingit artist
Corrine Hunt. Hunt, who co-designed the
medals for the Vancouver 2010 Olympic
and Paralympic Winter Games, often
uses these designs to explore themes of
environmental elements and Pacific
Northwest Coast traditions.
• The platter features abstracted
Indigenous motifs and is typically made
in Canada from a blend of recycled
marble and crushed glass resin.
• Symbolism: The inscription
“eagle freedom in yourself” &#34;air&#34; highlights the
eagle as a symbol of freedom, strength,
and grace. In Northwest Coast
Indigenous traditions, eagles are also
sacred messengers to the creator.
• These come in three sizes. This is the 
“Large&#34; size.
• In excellent condition, no breaks,
cracks or chips. View images.
• 2 cm. x 35.3 cm. x 17.5 cm.
Dimensions:
2 cm. x 35.3 cm. x 17.5 cm.
Pickup category timeslot {A}

Corrine Hunt - BOMA - &#34;Sea to Sky Collection&#34; Large Platter

Vietri &#34;Al Mare&#34; Octopus/Polpo) Large
Serving Platter
• VIETRI was founded in 1983 by Lee
Gravely and her two daughters, Susan
Gravely and Frances Gravely from North
Carolina, but have partnered with over 40
multigenerational potteries across Italy.
• Made in Vietri sul Mare, a coastal town
on the eastern of the Amalfi Coast in the
Campania region of southern Italy.
• This VIETRI Al Mare collection was
made between 1994 and 2005
• A whimsically pinkish red octopus
surrounded by blue concentric rings and
a sponged or stamped sea-foam green/
turquoise decorative border rim.
• In excellent condition, no breaks,
cracks or chips. View images.
• 5 cm. x 37.5 cm. x 37.5 cm.
Dimensions:
5 cm. x 37.5 cm. x 37.5 cm.
Pickup category timeslot {A}

Vietri &#34;Al Mare&#34; Octopus/Polpo) Large Serving Platter

Vintage Pyrex Mixing Bowl #404 -
Made in Canada
• This is part of Pyrex&#39;s &#34;Primary Colour
Series&#34; made from the 1940&#39;s & 1950&#39;s.
• The 404 stamp indicates that this is the
large 4-quart, 10.25-inch, mixing bowl.
• The yellow Primary Colours set, the first
coloured opalware line released by Corning.
• Vintage Pyrex was only manufactured
at the Corning Glass Works factory in
Leaside Toronto, Ont. for a brief window
from the early to mid-1950&#39;s.
• Holds 4 quarts, equivalent to 16 cups,
128 fluid ounces, or roughly 3.8 liters.
• In very good condition, no cracks,
breaks, or chips. Some wear and
scratches, but &#34;shine&#34; is still good. View
Images.
Dimensions:
11.5 cm.  x  16.7 cm.  x  16.7 cm.
Pickup category timeslot {A}

Vintage Pyrex Mixing Bowl #404 - Made in Canada

Robin Hopper - Leaf Cream & Sugar Set
• Robin Hopper (1939-2017). Robin was
born in Selsdon, Surrey, England, in
1939. He received his training in pottery
and ceramics at the Croydon College of
Art from 1956 to 1961.
• Robin was the founder and chair of the
Ceramics and Glass Dept. at Georgian
College in Barrie, Ont. from (1970-1972).
• In 1977, Hopper with his first wife Sue
Hopper, nee Hara. established and ran
&#39;Chosin Pottery.
• The Impressed lettering of &#34;CANADA&#34;
and the &#34;rh&#34; stamp was used between
1980 and 1990, after that the &#34;rh&#34; was
used only.
• This is one of Hopper&#39;s signature styles
with the &#34;Mustard-Yellow Glaze&#34; on a
light greyish stoneware clay body with a
light dusting of iron oxide. Robin used a
wax resist technique to create the leaf
designs using various oxides and glaze
combinations.
• Both in excellent condition, no cracks,
or breaks, or chips. View Images.
• Creamer: 11.5 cm. x 11 cm.  8 cm.
• Sugar 6.8 cm. x 10 cm. x 10 cm.
Dimensions:
• Creamer: 11.5 cm. x 11 cm.  8 cm.            • Sugar 6.8 cm. x 10 cm. x 10 cm.
Pickup category timeslot {A}

Robin Hopper - Leaf Cream &#38; Sugar Set

James Hibbert - Large Platter with
Tree Image
James Hibbert (1958 - 2025)
• He established his first studio in
Victoria, but moved to Naramata in 1994
• He taught pottery at various community
centres and was involved with the
Okanagan Potters Ass.
• He was a member of the &#34;Group of 9 Potters&#34;
• This is a large very well thrown, thin
walled &#34;chip and dip set&#34;, minus the dip
bowl.
• The tree illustration is a combination of
clay slip overlay and sgraffito work,
cleverly done as well!
• This piece is signed with initials of the
potter, and dated 1996, so 30 years ago!
• This has been fired to one 6 in an
electric kiln with a semi-matte glaze.
• In excellent condition, no breaks,
cracks or chips. View images.
• 2.7 cm. x 31.5 cm. x 31.5 cm.
Dimensions:
 2.7 cm. x 31.5 cm. x 31.5 cm.
Pickup category timeslot {A}

James Hibbert - Large Platter with Tree Image

Abhika &#34;Jellyfish M&#34; - Hand-Blown
Clear Glass Sculpture
• The Abhika &#34;Jellyfish M&#34; is a high-end
luxury version of the clear glass jellyfish
sculpture distributed out of Venice, Italy.
They are a home interior and decor store.
The &#34;M&#39; stands for medium size.
• This piece was most likely made in
Yancheng or Zibo, China as they are the
&#34;experts&#34; in &#34;non controlled bubbles&#34; as
seen in the &#34;head&#34; of the jellyfish.
• This is a free-standing design with a
bell (cap) filled with deliberate non
controlled bubbles. The cap is supported
by six long curved glass tentacles that
flare outward to form a sturdy base.
• In excellent condition, no breaks,
cracks, or chips. View Images.
• Weight: 981 grams or 2 lb. 2 5/8 oz.
18.5 cm. x 11.5 cm. x 11.5 cm.
Dimensions:
18.5 cm. x 11.5 cm. x 11.5 cm.
Pickup category timeslot {A}

Abhika &#34;Jellyfish M&#34; - Hand-Blown Clear Glass Sculpture

West Bank Hebron - Blown Glass
Cruet
• The design points to the Natsheh family
network or affiliated independent glass
furnaces operating in the Hebron region.
• For over a century, the Natsheh family
has been the predominant name behind
the area&#39;s glass factories.
• There are now only two or three active
glass-blowing facilities remaining due to
the West Bank Jewish Settlers and the
Israeli Defence Forces burning or
destroying these facilities.
• The process of applying raised glass or
canes to the surface of a hot vessel is a
historical Roman technique still used by
Palestinian glass blowers today.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 8 oz. or 227 grams
• 12.5 cm. x 9 cm. x 9 cm.
Dimensions:
12.5 cm. x 9 cm. x 9 cm.
Pickup category timeslot {A}

West Bank Hebron - Blown Glass Cruet

Pyrex &#34;Butterfly Gold&#34; Mixing Bowl
#401 Model
• The Production run for this pattern
Introduced in 1972 ran through 1981.
• It was originally designed by Gregory
Mirow as a &#34;Pyrex Compatible&#34;
companion pattern to match Corelle
dinnerware of the same name.
• A classic Mid-Century Modern retro
design featuring stylized white flowers,
leaves, and small butterflies printed over
a mustard-yellow/harvest-gold.
• 2 1/2 QT. The maximum liquid capacity
or 10 cups.
• In excellent condition, no breaks,
cracks, or chips. Some wear, but retains
full &#34;shine&#34;. View images.
Dimensions:
10 cm.  x  22 cm.  x  22 cm.
Pickup category timeslot {A}

Pyrex &#34;Butterfly Gold&#34; Mixing Bowl #401 Model

FOUR - Crisa/Libby Large &#34;Blue
Ribbon&#34; Tumblers
• These glasses are manufactured by
Libbey Glass through he Crisa Glass
Factory in Mexico. Libby acquired the
company in 2006.
• All four of these glasses have the
stylized &#34;C&#34; on the base, so were made
before 2006.
• These are the &#34;Smooth/Cylindrical
Version”, rather than the “Dimpled Version&#34;.
• These have several names: Blue
Ribbon, Cobalt Swirl, or Listón Azul.
• While each is hand blown int a mold,
each glass is somewhat unique because
it varies in weight, and movement of the
cobalt glass swirl.
• All in excellent condition, no breaks,
cracks, or chips. View images.
• Weight:
Varies between 285 to 295 grams
• 25 cm.  7 cm. x 7 cm.
Dimensions:
 25 cm.  7 cm. x 7 cm.
Pickup category timeslot {A}

FOUR - Crisa/Libby Large &#34;Blue Ribbon&#34; Tumblers

littala &#34;Kivi Neodymium&#34; Votive Candle
Holder
• This candleholder was commissioned
by the fashion and textile house
Marimekko, and manufactured by the
Nuutajärvi glass factory in Finland.
Production moved completely to littala&#39;s
main factory in 1995, evolving into a
highly successful multi-decade
collaboration between littala and
Marimekko
• The Kiva votive was created by the 
Finish designer Heikki Orvola in 1988.
• This is a rare or vintage variant of their
Amethyst Pale Purple color line,
because they used neodymium to create
the colour, as well the size variety was a
limited issue, and discontinued in 2014.
• In excellent condition, no breaks,
cracks, or paint chips. View Images.
• Weight: 340 grams or 12 oz.
• 7.3 cm. x 6.7 cm. x 6.7 cm.
Dimensions:
 7.3 cm. x 6.7 cm. x 6.7 cm.
Pickup category timeslot {A}

littala &#34;Kivi Neodymium&#34; Votive Candle Holder

&#34;Solid Turquoise&#34; #403 Pyrex Mixing Bowl
• This is part of Pyrex&#39;s Solid Color
Series, released between 1956 and 1962,
where all the four bowls were turquoise.
• TRADE MARK PYREX  / MADE IN
U.S.A. OVENWARE: The layout of this
block font -specifically with the
registered trademark symbol  enclosed
in a circle directly underneath &#34;PYREX&#34;
confirms this bowl was produced in the
late 1950s or very early 1960s. This fits
perfectly right inside the official 1956-
1962 production window for the solid
turquoise set.
• The Number 13: This is an internal
factory mold number, and was used to
trace the steel mold used to press this
specific bowl.
• 2 1/2 QT. The maximum liquid capacity
of the bowl 2.5 quarts / 10 cups.
• In excellent condition, no cracks,
breaks, or chips. Some wear to colour
near rim, but ‘ “shine&#34; is still good.
Scratches & wear interior. View Images.
Dimensions:
10 cm.  x  22 cm.  x  22 cm. 
Pickup category timeslot {A}

&#34;Solid Turquoise&#34; #403 Pyrex Mixing Bowl

Hand Blown 3D Mount Fuji Whiskey
Tumbler
• It was crafted by Tajima Glass (HB
7), a renowned glass manufacturing
company located in Edogawa, Tokyo,
Japan in 2015.
• This glass shows Mt. Fuji (#tIL,
Fujisan), the famous mountain in Japan.
• The design concept is that when a
beverage like whiskey is poured inside,
the liquid reflects off the frosted peaks,
changing the appearance and mood of
the mountain.
• The vertical paper strip attached reads
TE
Pickup category timeslot {A}

Hand Blown 3D Mount Fuji Whiskey Tumbler

Fiestaware Turquoise Spoon Rest
• This vase was originally designed by
Frederick Hurten Rhead in 1936. Joseph
Geisse one of the &#34;new&#34; designers,
Post-1986 Modern Adaptation made a
new mold of the original to fit the new
clay body that was introduced
• This was produced by the Homer
Laughlin China Company now the Fiesta
Tableware Company.
• &#34;HLC USA&#34; stands for Homer Laughlin
China Company, Newell.
• The &#34;Registered Trademark&#34; Circle: The
small circle debossed directly above the
letter &#34;a&#34; in &#34;Fiesta&#34; contains a tiny &#34;R&#34;
indicating it is a legally registered
trademark design.
• The Number &#34;58&#34;: This is an in-the-
mold number.
• In excellent condition, no cracks,
breaks, one small chip on rim. View
Images.
• 3 cm. x 20.4 cm. x 9 cm.
Dimensions:
3 cm. x 20.4 cm. x 9 cm.
Pickup category timeslot {A}

Fiestaware Turquoise Spoon Rest

Pyrex &#34;Butterfly Gold&#34; Mixing Bowl
#401 Model
• The Production run for this pattern
Introduced in 1972 ran through 1981
• It was originally designed by Gregory
Mirow as a &#34;Pyrex Compatible&#34;
companion pattern to match Corelle
dinnerware of the same name.
• A classic Mid-Century Modern retro
design featuring stylized white flowers,
leaves, and small butterflies printed over
a mustard-yellow/harvest-gold.
• 2 1/2 QT. The maximum liquid capacity
or 10 cups.
• In excellent condition, no breaks,
cracks, or chips. Some wear, but retains
full &#34;shine&#34;. View images.
• 8.3 cm. x 14.5 cm. x 14.3 cm.
Dimensions:
 8.3 cm. x 14.5 cm. x 14.3 cm.
Pickup category timeslot {A}

Vintage Bombay Company Double-Six
Dominoes Set
• The paper sticker with the bilingual
&#34;Made In India / Fabriqué en Inde&#34; text,
and code 089 HLY identifies this as The
Bombay Company. It was distributed
between 1990&#39;s to early 2000&#39;s.
• These were crafted from Sheesham
wood also known as Indian Rosewood
• These were made in combination of
machine and individual hand labour. The
&#34;wood sections&#34; were a cut mechanically
but the fitting together, and the brass
inlay were all done manually by hand.
• Each box contains 28 dominos,
stacked in seven rows of four each.
• All in excellent condition, no breaks,
cracks, or chips. Some tarnishing of the
brass due to age. View images.
Each Box Weighs:
587 grams or 1 lb. 4.75 oz.
Box size: 5.2 cm. x 20.4 cm. x 7.5 cm.
Domino Size: 8 cm.  5 cm. x 2.5 cm.
Dimensions:
Box size: 5.2 cm. x 20.4 cm. x 7.5 cm.               Domino Size: 8 cm.  5 cm. x 2.5 cm.
Pickup category timeslot {A}

Vintage Bombay Company Double-Six Dominoes Set

Bill Helin - &#34;Raven Stash Box&#34;
• Bill Helin was born 1960 in Prince
Rupert, British Columbia. Helin grew up
immersed in the heritage of the
Northwest Coast. His father, Arthur Helin,
was a commercial fisherman, and his
grandparents were prominent leaders
his grandfather was Chief of the Gitlan
Tribe and his grandmother, Maud Helin,
was Chief of the Gitgeese Tribe.
• Bill Helin is a member of the Tsimshian
Nation. He is a, woodcarver, jeweller,
and illustrator from the Gitgeese Tribe.
• The image on the lid depicts Raven
often celebrated as a powerful creator,
trickster, and a bringer of light.
• This is a small &#34;stash box&#34; made from
natural log cross-sections with the rough
bark left intact on the exterior.
• It has a swivel lid that pivots open to
reveal a felt-lined interior compartment.
• In excellent condition, no breaks,
cracks or chips. View images.
• 4.4 cm. x 7.8 cm. x 7 cm.
Dimensions:
4.4 cm. x 7.8 cm. x 7 cm.
Pickup category timeslot {A}

Bill Helin - &#34;Raven Stash Box&#34;

Jack Ploesser - Copper Red or &#34;Sang
de Boeuf&#34; Glaze
• Jack Ploesser born in 1952 with the
name Jörg Wolfgang Plösser was born in
Frankfurt am Main, Germany, and move
with his family to Canada in 1956.
• Jack Ploesser became the ceramic
technician at Capilano College in 1990.
• He taught pottery at the Delbrook
Recreation Centre (1994-96), the
Shadbolt Centre for the Arts (1998-99).
• He moved to the Sunshine Coast in
2000, he set up his independent
“Fire and Ash Studio&#34; in Roberts Creek.
• This vase was fired in an cone 10 gas
fired kiln with a high reduction
atmosphere changing the copper
carbonate, which is green to the copper
red or ox blood red.
• In excellent condition, no cracks,
breaks, or chips. View images.
• 14.5 cm. x 12 cm. x 12 cm.
Dimensions:
 14.5 cm. x 12 cm. x 12 cm.
Pickup category timeslot {A}

Jack Ploesser - Copper Red or &#34;Sang de Boeuf&#34; Glaze

Victoria (British Columbia, Canada) SELLER MANAGED Reseller Online Auction - Balfour Avenue

material

style

period

pattern_number

dimensions_cm

Late 19th-century white ironstone chocolate pot, pattern no. 1384, molded relief body, hand-applied flat gold gilt bird and botanical motifs, unmarked, 21.5 cm H × 17 cm W × 11 cm D, seller states no chips, cracks or breaks

Ironstone chocolate pot, pattern 1384

Full view of ironstone chocolate pot showing shape and gold bird motif

Close-up of gold floral accents and glaze crazing

Cream glaze with overall light crazing, ornate scroll rim, curved handle and shaped spout, gold moriage-style bird perched amid flowering branches

Antique Ironstone Aesthetic Movement Chocolate Pot

Antique Aesthetic Movement
Ironstone Chocolate Pot
• The script style of the hand-painted
pattern number 1384, particularly the
sharp, distinct way the &#34;1&#34; and &#34;4&#34; are
written - is classic late-1800&#39;s Germanic
and Central European factory
handwriting.
• The lack of a printed manufacturer
emblem or &#34;Made in... &#34; stamp means the
pitcher was likely produced prior to 1891.
The U.S. McKinley Tariff Act of 1890 went
into effect in 1891
• This is a late 19th-century Aesthetic
Movement or Late Victorian era piece.
• There are flat gold gilt transferware
highlights or moriage-style accents
depicting a bird and botanical floral
elements.
• In excellent condition, no breaks,
cracks, or chips. View images.
• 21.5 cm x 17 cm. x 11 cm.
Dimensions:
21.5 cm x 17 cm. x 11 cm.
Pickup category timeslot {A}

Bid Date	Bid Amount
Oct 24, 2026, 3:19:32 AM UTC	$11.00
Oct 24, 2026, 3:18:31 AM UTC	$10.00
Oct 24, 2026, 3:17:08 AM UTC	$9.00
Oct 24, 2026, 2:50:31 AM UTC	$8.00
Oct 24, 2026, 2:15:23 AM UTC	$7.00
Oct 24, 2026, 2:12:48 AM UTC	$6.00
Oct 24, 2026, 1:52:41 AM UTC	$5.00
Oct 24, 2026, 1:40:17 AM UTC	$4.00
Oct 18, 2026, 9:09:33 PM UTC	$3.00
Oct 18, 2026, 9:09:33 PM UTC	$2.00
Oct 16, 2026, 11:58:03 PM UTC	$1.00

Lot #81: Antique Aesthetic Movement Ironstone Chocolate Pot

Only Available Pickup Date/Time: Mon, October 26 2026

Category A: 09:30 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #81: Antique Aesthetic Movement Ironstone Chocolate Pot

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Mon, October 26 2026 Category A: 09:30 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Mon, October 26 2026

Category A: 09:30 AM - 02:00 PM