Corrine Hunt - BOMA - &#34;Sea to Sky
Collection&#34; Large Platter
• This was designed by acclaimed
Kwakwaka&#39;wakw and Tlingit artist
Corrine Hunt. Hunt, who co-designed the
medals for the Vancouver 2010 Olympic
and Paralympic Winter Games, often
uses these designs to explore themes of
environmental elements and Pacific
Northwest Coast traditions.
• The platter features abstracted
Indigenous motifs and is typically made
in Canada from a blend of recycled
marble and crushed glass resin.
• Symbolism: The inscription &#34;eagle
freedom in yourself&#34; highlights the eagle
as a symbol of freedom, strength, and
grace. In Northwest Coast Indigenous
traditions, eagles are also sacred
messengers to the creator.
• These come in three sizes. This is the
&#34;Large&#34; size.
• In excellent condition, no breaks,
cracks or chips. View images.
• 2 cm. x 35.3 cm. x 17.5 cm.
Dimensions:
2 cm. x 35.3 cm. x 17.5 cm.
Pickup category timeslot {A}

Corrine Hunt - BOMA - &#34;Sea to Sky Collection&#34; Large Platter

Caithness &#34;Flamenco&#34; Collection -
Hand-Blown Glass Vase
• The &#34;Flamenco&#34; range was originally
introduced around 1987, and designed
by Caithness&#39;s chief designer, Colin Terris.
• Colin Terris is considered the &#34;father of
modern Caithness&#34; art glass. He joined
the company as head design in 1968,
and took inspiration from both
Scandinavian minimalism, and the
natural Scottish landscapes.
• Caithness Glass is uniquely celebrated
for a proprietary color spectrum inspired
directly by the Scottish landscape.
1) The &#34;Heather&#34; Frit: The underlying
mottled lavender layer uses crushed
glass (frit) mixed into the clear body.
2) The &#34;Amethyst&#34; Canes: The dark
purple stripes are concentrated cane
glass melted onto the surface to contrast
against the softer lavender backing.
• This vase has &#34;shelf wear&#34; on the base
which indicates this piece has some age.
• There is a rough pontil mark, meaning
this was individually blown, and not
made in a factory where the pontil would
have been ground flat or smooth.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 2 lb. 3 1/8 oz. or 994 grams
• 21.8 cm. x 10.3 cm. x 10.3 cm.
Dimensions:
21.8 cm. x 10.3 cm. x 10.3 cm.
Pickup category timeslot {A}

Caithness &#34;Flamenco&#34; Collection - Hand-Blown Glass Vase

Michael Bonnor - Hand-Lathed
&#34;London Plane&#34; Bowl
• G. Michael Bonner (1938 - 2024) was
in Hamburg, Germany, grew up in
Denmark.
• Michael moved to Canada to study
forestry at the University of Toronto, and
obtained a PhD in Forestry in 1970.
• He was an active member of the Van.
Is. Wood turner&#39;s guild, and had a love
for the &#34;history&#34; of trees.
• London Plane is a hybrid of the
American Sycamore and Oriental plane.
• Shelbourne Memorial Avenue: In
1921, a living memorial of exactly 600
London plane trees was planted along
Shelbourne Street from Victoria through
Saanich to commemorate local soldiers
who fought and fell in World War I. I
believe this bowl was turned from part of
one of these trees.
• When quarter-sawn or turned, it
displays a distinct freckled, &#34;lacewood&#34;
pattern with prominent medullary rays.
• It typically features light reddish-brown
heartwood paired with pale yellowish
sapwood, which darkens over time.
• In excellent condition, no chips, breaks,
or cracks. View im ages.
• 3.25 cm.  19 cm. x 19 cm.
Dimensions:
3.25 cm.  19 cm. x 19 cm.
Pickup category timeslot {A}

Michael Bonnor - Hand-Lathed &#34;London Plane&#34; Bowl

Dene First Nations Birchbark Vessel
with Porcupine Quillwork
This specific style of cylindrical
birchbark container with sparse,
minimalist quillwork floral designs, as
well as serrated or &#34;pinked&#34; edge design,
combined with the vertical running stitch
is associated with the Dene First
Nations, Acho Dene Koe First Nation of
Fort Liard or Fort Simpson in the Northwest Territories.
• The image on the front is a stylized wild
rose flower branch which has been dyed
using commercial dyes.
• The top lip of this piece uses a single,
straight seam which is stitched using
split spruce root.
• The rest of the container uses a
simulated sinew to bind the vessel
together.
• Because of the use of the simulated
sinew, and the specific design, this piece
dates between 1970 and 1990.
• In very good condition, no cracks,
breaks to the birchbark, but there is
some damage to the quill work. View
Images.
• 12.8 cm. x 10 cm. x 10 cm.
Dimensions:
12.8 cm. x 10 cm. x 10 cm.
Pickup category timeslot {A}

Dene First Nations Birchbark Vessel with Porcupine Quillwork

(1890 - 1930) Chinese Porcelain Lidded
Food Container
• This container was manufactured in
Jingdezhen during the Late Qing Dynasty
to the early Republic period (circa 1890-
1930&#39;s).
• The jar is a hand-painted with a
polychrome enamel decoration over a
white glaze.
• It is consistent with the famille rose
palette with soft pinks, iron-reds, and
greens for the botanical motifs.
• This vessel has a nested fitting dome lid
that aligns smoothly with the rounded
sides of the main bowl. The top of the lid
is finished with a hollow, flared knob.
• These covered pots or deep food bowls
were widely produced in specialized kiln
centres like Jingdezhen between the late
19th and early 20th centuries. They
served multiple household purposes
functioning as decorative accessories or
containers for storing loose tea, ginger,
sweetmeats, or rice.
• The red stamp on the base of your
lidded container is a four-character
Qianlong reign mark read as &#34; 7 q&#34;
(Qianlong Nian Zhi), which translates to
&#34;Made during the Qianlong Reign.&#34;
• ‡ (Qian) - Top right, (# (Long) - Bottom
right, # (Nian) - Top left (meaning &#34;Year&#34;)
#4 (Zhi) - Bottom left (meaning &#34;Made&#34;).
• There is also a chop mark inside the
hollow knob of a lid. This served to unify
the two separate components during
production and firing in the kiln.
• In very good condition, There is a crack,
and some chips. View Images.
• With Lid: 12 cm. 10.7 cm. x 10.7 cm.
Dimensions:
 With Lid: 12 cm. 10.7 cm. x 10.7 cm.
Pickup category timeslot {A}

(1890 - 1930) Chinese Porcelain Lidded Food Container

Sarah Leckie - Three Cat & Bird Yunomi
• She holds a BA from the Univ. of
Victoria, and studied ceramics at the
Kootenay School of the Arts.
• She has been an artist-in-residence at
the Banff Centre, the Klondike Institute of
Arts and Culture, the James Black
Gallery and in Jingdezhen, China.
• She is a founding member of the
Victoria Mud League and maintains a full-
time studio practice on Hornby Island.
• Sarah often styles her work on
traditional Japanese Shino or Karatsu
ware, with whimsical animal, sgraffito
and brushwork designs
• All in excellent condition, no cracks,
breaks, or chips. View images.
• Average in size around:
6.5 cm. x (6 cm. to 7 cm.) x (6 cm. to 7 cm.)
Dimensions:
 Average in size around: 6.5 cm. x (6 cm. to 7 cm.) x (6 cm. to 7 cm.)
Pickup category timeslot {A}

Sarah Leckie - Three Cat &#38; Bird Yunomi

Norman Peterson - Hand-Carved Folk
Art Wooden Owl
• Norman Peterson (1924-1989) was a
prominent, Canadian folk art woodcarver
from Winnipeg, Manitoba.
• He was a self taught wood carver, and
turned his creativity to carving owls and
other small birds.
• He primarily carved out of local Sumac
wood. The natural, swirling patterns of
the sumac grain accentuated the large
concentric facial rings of the bird&#39;s eyes.
• This piece is darted 1988, a year before
his death from a heart attack.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 13.5 cm. x 9.5 cm. x 4.5 cm.
Dimensions:
 13.5 cm. x 9.5 cm. x 4.5 cm.
Pickup category timeslot {A}

Norman Peterson - Hand-Carved Folk Art Wooden Owl

Antique Moser Bohemian Blown Glass
Hand Painted Enamel Green Trinket
Box
• Made in Bohemian now the Czech
Republic.
• This piece dates to the Art Nouveau or
late Victorian era circa 1890 - 1910.
• Material: Translucent hand-blown green
glass called &#34;Moser green&#34; or Bohemian
glass paired with a fitted brass metal
hinged collar.
• Decoration: The exterior of the lid has
hand-painted enamel daisies accented
with white, orange, and gold detailing.
• I believe that this piece was hand blown
into a mold, as there is no pontil mark.
• In excellent condition, no cracks,
breaks, or chips. There is some wear to
the gold gilt, and minor discolouration to
the metal. View Images.
• Weight: 5 oz. or 144 grams
• 7 cm. x 8.5 cm. x 8.5 cm.
Dimensions:
 7 cm. x 8.5 cm. x 8.5 cm.
Pickup category timeslot {A}

Antique Moser Bohemian Blown Glass Hand Painted Enamel Green Trinket Box

Metal Sculpture with the Phrase
&#34;Unusually Repulsive Cat Startled by a
Gesture of Affection&#34;
• This piece is made from sheet
aluminium which has been laser cut, and
then painted with acrylic paints.
• It has been &#34;artistically&#34; signed via
grinder tools with the name MAX. I have
not been able to find out who Max is or
where this piece was made.
• The sculpture reads,
“Unusually Repulsive Cat Startled by a Gesture of
Affection&#34; by the famous British satirist
and illustrator Ronald Searle.
• The aesthetic mirrors the animation
style in films like Coraline.
• In excellent condition, no breaks,
cracks, or paint chips. View Images.
• Weight: 265 grams or 9 3/8 oz.
16.5 cm.  30 cm.  10 cm.
Dimensions:
16.5 cm.  30 cm.  10 cm.
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Metal Sculpture with the Phrase &#34;Unusually Repulsive Cat Startled by a Gesture of Affection&#34;

Eh!ch Engraving & Woodcraft -
Charcuterie Board
• Eh!ch Engraving & Woodcraft is a small,
family-operated Canadian business
based in Branford, Ontario. Started in
2024 by a husband-and-wife team, they
specialize in handcrafted wooden service
ware, and live-edge furniture.
• This wild cherry charcuterie board
shows swirling grain pattern, tightly
clustered knot configurations, and
contrast between the inner heartwood
and outer sapwood. The voids are filled
with a purple epoxy resin that stabilizes
the natural splits in the wood.
• In excellent condition, no stains, cracks,
breaks, or chips. View Images.
• 1.5 cm. x 46 cm. x 27.5 cm.
Dimensions:
 1.5 cm. x 46 cm. x 27.5 cm.
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Eh!ch Engraving &#38; Woodcraft - Charcuterie Board

Lesley Friedmann - Large Thrown and
Altered Serving Platter
• Lesley grew up in South Africa, and her
“teen&#34; years were spent on a kibbutz in
northern Israel. Then moved to Victoria
in her mid 20&#39;s.
• She received her Master of Arts degree
in Curriculum and Instruction from the
UVic in 2016.
• She is a multidisciplinary artist; a
ceramicist, a painter, and silk dyeing.
• This platter dates between 1990 and 2000.
• Cream coloured stoneware clay, fired in
an electric kiln to cone 6. Thrown and an
altered lip to give a fluid effect. Layers of
sprayed underglazes or oxides create a
flowing depth to the piece.
• In excellent condition, no chips, breaks,
or cracks. View im ages.
• 2.5 cm. x 31 cm. x 31 cm.
Dimensions:
2.5 cm. x 31 cm. x 31 cm.
Pickup category timeslot {A}

Lesley Friedmann - Large Thrown and Altered Serving Platter

(Limited Edition) - 1965 Herta Gertz
Canadian Beaver Ceramic Mug
• Herta (Gerz or Gertz) was born in (1913
- 2005), born in Hanau, Germany. She
was an accomplished potter running her
own ceramic factory in Gelnhausen,
Germany (1946 to 1951). She immigrated
in 1952 to Vancouver.
• This particular mug is a limited edition,
as it has a different handle then the mass
produced items, and has been hand
inscribed by Herta, and not the mold
pressed design.
• This specific 1965 sgraffito-based mug
was commissioned by the Hudson&#39;s Bay
Co. (HBC) executive offices in Vancouver.
• While &#39;B.C. Ceramics&#39; commercial
ledgers are no longer intact for an exact
count, ceramic historians and historical
market tracking estimate that fewer than
500 to 1,000 pieces were produced.
• The mug retains the original factory
brand green and gold foil sticker label.
• This is a slip cast white earthenware
clay with a black underglaze main body
and a hand painted beaver &#34;hugging&#34; a
birch tree, also done with underglazes,
and a clear glaze over all.
• In excellent condition, no cracks,
or chips, and the hinge works well. View
Images.
• 11.5 cm. x 12 cm. x 10 cm.
Dimensions:
 11.5 cm. x 12 cm. x 10 cm.
Pickup category timeslot {A}

(Limited Edition) - 1965 Herta Gertz Canadian Beaver Ceramic Mug

Two - Kosta Boda &#34;Mine&#34;Blue Swirl
Tumblers
• These were designed by Ulrica
Hydman-Vallien for the Swedish
glassworks company Kosta Boda.
• The &#34;Mine&#34; series is a heavy, thick-
bottomed build embedded with rich,
irregular swirls of colored glass powder
• These tumblers vary in size and weight,
because they are hand blown.
• These date between 2000 and 2010,
when this pattern was discontinued.
• The pontil marks on both tumblers has
the &#34;U&#34; shape design used at that time.
• Both in excellent condition, no cracks,
breaks, or chips. View Images.
• Glass #1: 15 1/8 oz. or 430 grams
• 16.2 cm. x 8.5 cm. x 8.5 cm.
• Glass #2:1 lb. 1/2 oz. or 468 grams
• 16.3 cm. x 8.7 cm. x 8.7 cm.
Dimensions:
 16.2 cm. x 8.5 cm. x 8.5 cm.  and   16.3 cm. x 8.7 cm. x 8.7 cm.
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Two - Kosta Boda &#34;Mine&#34;Blue Swirl Tumblers

Vintage Baluch Hand-Knotted Prayer Rug
• The Baluch tribal weaving group,
specifically from the borderlands of
Northeast Iran (Khorasan province) or
Western Afghanistan (Herat region).
• It is characterized by the prominent
central mihrab (prayer niche) architectural
design framing a deep navy blue field,
flanked by stylized columns and a
bottom register featuring geometric Tree
of Life floral motifs
• Material & Composition:
• Pile & Warp Material: Both are 100%
natural hand-spun wool.
• Foundation: Wool or cotton weft and
warp with short hand-fringed ends.
• Dyes: Traditional organic/vegetable-
based color fast dyes
• The stepped arch structure at the top
orients the rug to towards Mecca.
• The triplet of branching plant design at
the bottom field represents longevity,
creation, and growth.
• This is a &#34;tribal&#34; weaving rather than a
mass produced rug. The blue colour
varies, this is called &#34;abrash&#34;, and occurs
in tribal weaving when a weaver runs out
of a batch of hand-dyed wool and spins
a new batch, and the colours vary.
• This rug contains approximately 9 to 10
horizontal knots per inch, so rug contains
roughly 278,375 individual hand-tied
knots.
• This rug was woven sometime between
the 1970&#39;s or 1980&#39;s, making it roughly
45 to 55 years old.
• In very good condition, no holes, rips,
or tears, but does show wear from age.
View Images.
• 166 cm. x 108 cm. or (65.5 “ x  42.5”)
Dimensions:
166 cm. x 108 cm. or (65.5 “ x  42.5”)
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Vintage Baluch Hand-Knotted Prayer Rug

Carl Wetzlar 735 Wide Field Binoculars
• &#34;Carl Wetzlar&#34; is a Canadian house
brand that were imported from Japan
and sold through Canadian retailers
between the mid-1960&#39;s and late 1970&#39;s.
Technical Specifications:
• Magnification: (objects 7x closer).
• Obiective Lens Diameter: 35 mm
provides balance between weight and
light gathering
• Prism System: Porro Prism, high-index
BaK-4 or Bk-7 optical glass prisms
• Field of View: 193 to 1000 meters.
• Focusing Mechanism: Central manual
focus wheel.
• In very good condition, all parts bend
easily, some overall wear. View images.
• Compact: 11.5 cm. x7 cm. x 15.5 cm.
• Open: 9 cm. x 3.5 cm. x 17.4 cm.
Dimensions:
• Compact: 11.5 cm. x7 cm. x 15.5 cm. • Open: 9 cm. x 3.5 cm. x 17.4 cm.
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Carl Wetzlar 7×35 Wide Field Binoculars

James Bay Cree - Large Tamarack Goose
Decoy
• This type of decoy are traditionally
crafted by Mushkego, James Bay Cree,
and the Eeyou Cree hunters as lures for
migrating geese.
• The &#34;hole&#34; in the head section
represents the white patch on the side of
the head of the Canadian Goose.
• This decoy is bound using a very fine,
uniform commercial nylon thread or
monofilament line. Which dates this
decoy between 1970 and 1990, as
cotton thread was used before this date.
• The sculpture is woven from natural
tamarack (larch) twigs, which give off a
pleasant woodland fragrance. If the scent
fades, submerging the decoy in hot
water for ten minutes can revive it
• Originally this decoy had three
traditional larch brand legs. These have
been replaced at some point in the past.
• In very good condition, no breaks,
minor chipping of wood material. Note
that the &#34;legs&#34; are replacements. View
Images.
• 24 cm. x 36 cm. x 14 cm.
Dimensions:
24 cm. x 36 cm. x 14 cm.
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James Bay Cree - Large Tamarack Goose Decoy

Henckels 9-piece Knife Block Set Plus
2 Other Knives
• This is a Henckels Statement 11-Piece
Block Set, cataloged by the factory item
code 35340-700 printed on the sticker.
• The batch code stamped into the wood
(HD1403) indicates that this specific unit
was produced in March 2014.
• Nine of the knives are marked Henckel
made in China, one knife is named
Regent Sheffield, and one knife is not
marked, but was made by Cuisinart.
Henkel Knives:
• 3.5 Inch Paring Knife:
• 5 Inch Serrated Utility Knife
• 5.5 Inch Hollow-Edge Santoku Knife
• 4.5-Inch Steak Knife (set of 4)
• 8-Inch Chef&#39;s Knife
• Kitchen Shears: Multi-purpose scissors
• 8 inch &#34;REGENT SHEFFIELD&#34; AIl
purpose slicer (1980)
• 7 Inch Santoku Knife Cuisinart (2017)
• All in excellent condition. View Images.
Dimensions:
View images.
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Henckels 9-piece Knife Block Set Plus 2 Other Knives

#1) Olive Burl Wood Cutting Board
• This board was hand-carved in or
around the coastal city of Sfax, Tunisia
• This board was imported from either
Tunisia sometime between 2010 and
2020, and I believe was distributed
through a a store like HomeSense,
HomeGoods, or TJ Maxx.
• The dense clusters of small, dark.
circular rings -often called &#34;bird&#39;s eyes&#34;
or &#34;bud clusters”, and these &#34;birds-eye&#34;
forms take years to form, so olive tree
that produced this board was likely
between 150 and 350 years old when it
was harvested
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 2.3 cm. x 41 cm. x 15.7 cm.
Dimensions:
 2.3 cm. x 41 cm. x 15.7 cm.
Pickup category timeslot {A}

#1) Olive Burl Wood Cutting Board

&#34;Pacific Northwest Coast Indigenous
Style Fused and Sandblasted Art Glass
Platter&#34;
• I could not find a maker&#39;s mark, a
company mark, or any other defining
information about this piece.
• The outer red trim is created using
slumped and fused glass technique,
where crushed red glass frits and
metallic powder inclusions are melted
and shaped inside a kiln over a mold.
• The central motif is a Tahltan Nation or
Tsimshian-style Moon/Sun design.
• The inner central image is executed via
sandblasting (which leaves the distinct,
even frosted texture)
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: Range 328 to 335 grams
• 2 cm. x 25.5 cm. x 25.5 cm.
Dimensions:
 2 cm. x 25.5 cm. x 25.5 cm.
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&#34;Pacific Northwest Coast Indigenous Style Fused and Sandblasted Art Glass Platter&#34;

Oiva Toikka - Italglass “Bamboo&#34; Serving Trays
• Oiva Toikka (1931-2019) was one of
Finland&#39;s most renowned glass artists.
• While Toikka first designed the famous
&#34;Bamboo&#34; art vases for the Finnish brand
Nuutajärvi in the 1960&#39;s.
• These are the &#34;medium&#34; size trays, and
was produced between 1966 and 1970.
• The underside of the trays has raised
relief resembling organic bamboo stalks,
tree bark, or shifting glacier ice. This
creates a visual optical illusion where the
glass shoots and shines in the light.
• These tray are are officially classified as
a mold-blown, or mouth-blown into a
mold art glass piece which also explains
the slight variance in size and weight.
• Both in excellent condition, no cracks,
breaks, scratches, or chips. View
Images.
#1 Tray: • 3 cm.  28 cm. x 16.4 cm.
• Weight: 2 lb.15.75 oz. / 1 kg 354 grams
#2 Tray: • 3 cm.  28.7 cm. x 16.5 cm.
• Weight: 2 lb.10 3/8 oz. / 1 kg 202 grams
Dimensions:
#1 Tray:  3 cm.  28 cm. x 16.4 cm.                  #2 Tray:  3 cm.  28.7 cm. x 16.5 cm.   
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Oiva Toikka - Italglass “Bamboo&#34; Serving Trays

Marc Degagne - Carved Wooden owl
on Stone
• Degagne spent 30 years living and
working on his family&#39;s farm, near
Algonquin Park, Ontario. He learned his
craft from carving ax handles, and
various wooden bits used in making
maple syrup.
• Degagne operates his home studio,
Northwoods Carvings in Coldwater, Ont.
• The eyes are made from either black
beads or glass/acrylic taxidermy eyes.
• He used
&#34;salvaged&#34; wood, but I believe
this is sone of the local pine woods that
grow in his area.
• In excellent condition, no cracks,
breaks in the Owl, but the stone may or
may not be chipped. View Images.
• 10 cm. x .7 cm. x 3.5 cm.
Dimensions:
 10 cm. x .7 cm. x 3.5 cm.
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Marc Degagne - Carved Wooden owl on Stone

Hadeland Glassverk Mod - Sirius Blue
Swirl Bowl
• This bowl was made by the Norwegian
manufacturer Hadeland Glassverk, which
was initially launched by Willy Johansson
in 1954, and called Siri, and then
reintroduced in the 1980 with the
&#34;swirling colours&#34; and named &#34;Sirius&#34;
• This bowl does not have the etched
“H&#34; or the foil sticker, so was made in the mid
to late 1990&#39;s.
• This is the largest available centrepiece
model from this Hadeland Glassverk
production line.
• The textured exterior on your Hadeland
Glassverk &#34;Sirius&#34; bowl is a deliberate
design choice achieved through
specialized glass manufacturing
techniques.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 3 lb. 1.5 oz. or 1 kg. 402 grams
• 9.5 cm. x 33.4 cm. x 33.4 cm.
Dimensions:
9.5 cm. x 33.4 cm. x 33.4 cm.
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Hadeland Glassverk Mod - Sirius Blue Swirl Bowl

Jane Murray-Smith - Tall Elegant Mug
• She was born in Kamloops B.C. and
graduated with a BA in Psychology from
the Univ. of Victoria in 1972.
• She&#39;s taken many courses in clay; from
the Nanaimo Pottery Co-op in 1990,
courses at the Arrowsmith Potters Guild,
and at the Metchosin Summer School of
the Arts.
• She joined a group of local potters,
including Algis to co-found Pyromania
Pottery in Coombs.
• Her home and studio &#34;Phoenix Gallery&#34;
are in Lantzville, BC.
• Cone 10 gas fired mug. Buff/cream
stoneware clay with a reflective tomaku
type glaze on the upper section and
interior. The side has a wax resist
abstract leaf or vine type design with an
overglaze, with the metallic &#34;silvery&#34;
color coming through.
• It is signed J.M. Smith on the base.
• In excellent condition, no chips, breaks,
or cracks. View images.
• 13.5 cm. x 13.5 cm. x 10 cm.
Dimensions:
 13.5 cm. x 13.5 cm. x 10 cm.
Pickup category timeslot {A}

Jane Murray-Smith - Tall Elegant Mug

Three Hand Thrown Stoneware Bowls
• I was unable to make out the names of
any of these who made these pieces.
Two have chop marks or signatures, one
is unmarked, but believe all of these are
from B.C.
• All have been fired in gas kilns to at
least cone 10 temperature.
1) A buff/cream stoneware clay with a
soft satin yellow background glaze and
free form over painting. no signature or
markings.
(5 cm. x 21.5 cm. x 21.5 cm.)
2) A buff/cream stoneware clay with a
thick textured shiny glaze. An
“Asian&#34; style chop mark on the base.
(7 cm.  15 cm. x 15 cm.)
3) A white stoneware, possibly porcelain
with a fine celadon crackle glaze.
Various oxides have been applied to form
a grape & vine leaf pattern. A reduction
atmosphere to create the copper red
colour, Signature of Mace on the base.
(4.5 cm. x 11.5 cm. x 11.5 cm.)
• All in excellent condition, no cracks,
breaks, or chips. View Images.
Dimensions:
See description for sizes of bowls.
Pickup category timeslot {A}

Three Hand Thrown Stoneware Bowls

Victoria (British Columbia, Canada) SELLER MANAGED Downsizing Online Auction - Balfour Avenue

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Handmade South Korean celadon glazed porcelain miniature oil bottle. Disk-shaped body, narrow waisted neck, small flared mouth. Hand-painted peony motif and two Hanja characters potter’s signature. Produced circa 1970-1990. Crackle glaze finish. Dimensions 5.5 cm H × 8.5 cm W × 8.5 cm D. Excellent condition, no chips, cracks or breaks.

Korean celadon miniature oil bottle “yubyeong”

Top view showing disk-shaped form, celadon glaze, crackle and neck opening.

Close-up of hand-painted peony motif and crackle glaze texture.

Light green celadon with fine crackle; dark red-brown and black painted peony flowers on both faces; glossy glaze; underside unshown; interior glazed. Compact disk form with gentle shoulder curvature.

Korean Celadon miniature oil bottle or
&#34;yubyeong&#34;
• The two hand-painted Hanja/Kanji
characters are #* (read as Yeong-dong
in Korean as the potter&#39;s signature.
• This piece was produced between the
1970&#39;s & 1990&#39;S.
• It was crafted in South Korea, most
likely within the historic kiln villages of
Icheon (Gyeonggi Province)
• &#34;yubyeong&#34; is a classic form of pottery
popularized during the Goryeo Dynasty
(918-1392).
• This bottle has a highly compressed,
disk-shaped body, a narrow waisted
neck, and a small flared mouth rim.
These bottles were historically used to
hold cosmetic oils or perfumes.
• In Korean culture, the peony is revered
as the &#34;king of flowers&#34;. It serves as a
symbol of wealth, prosperity, social
status, and feminine beauty.
• In excellent condition, no cracks,
breaks, or chips. View images.
• 5.5 cm. x 8.5 cm. x 8.5 cm.
Dimensions:
5.5 cm. x 8.5 cm. x 8.5 cm.
Pickup category timeslot {A}

Bid Date	Bid Amount
Sep 12, 2026, 3:37:33 AM UTC	$17.00
Sep 12, 2026, 3:36:02 AM UTC	$14.00
Sep 12, 2026, 3:35:54 AM UTC	$11.00
Sep 12, 2026, 3:34:58 AM UTC	$10.00
Sep 12, 2026, 3:34:51 AM UTC	$9.00
Sep 12, 2026, 3:34:38 AM UTC	$8.00
Sep 12, 2026, 3:34:28 AM UTC	$7.00
Sep 12, 2026, 3:33:26 AM UTC	$6.00
Sep 12, 2026, 3:33:18 AM UTC	$5.00
Sep 11, 2026, 3:20:04 AM UTC	$4.00
Sep 11, 2026, 3:06:56 AM UTC	$3.00
Sep 8, 2026, 11:28:35 AM UTC	$2.00
Sep 3, 2026, 10:58:03 PM UTC	$1.00

Lot #141: Korean Celadon miniature oil bottle or "yubyeong"

Only Available Pickup Date/Time: Mon, September 14 2026
Category A: 09:00 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #141: Korean Celadon miniature oil bottle or "yubyeong"

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Mon, September 14 2026 Category A: 09:00 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Mon, September 14 2026
Category A: 09:00 AM - 02:00 PM